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Victorian Opera: Norma

by Heather Leviston 25th August, 2014
by Heather Leviston 25th August, 2014
260

Victorian Opera can chalk up yet another winner. Sold out almost as soon as tickets went on sale, Victorian Opera’s concert performance of Norma attracted an enthusiastic response. Opera lovers were keen to hear Bellini’s bel canto masterpiece in the acoustically superb venue of Elisabeth Murdoch Hall. They were not disappointed.

Those poor unenlightened detractors of the genre seem to miss the main point of bel canto opera (and perhaps opera in general). Bel canto is just that: beautiful singing. The best efforts by way of direction, set and costumes are beside the point if the singers are not up to scratch. In this case they were and fully justified under-taking a concert performance. What is more, there were no problems with production details to detract from the experience.

The role of Norma remains an Everest of the soprano repertoire with a supremely difficult first aria coming at the beginning of a hugely demanding evening of singing. To make things even more intimidating for any soprano game enough to take on the role, recordings of Callas, Caballe and the freakishly gifted Sutherland have raised audience expectations to dizzying heights. The role of Norma’s loyal friend, Adalgisa, also arouses high expectations. Sutherland had both Horne and Caballe as her second ladies, both with attributes that matched hers in crucial ways.

Making her Australian debut, Spanish soprano Saioa Hernandez gave the role of Norma, the Druid priestess, vocal and dramatic credibility. Without reading the program notes her provenance could be heard within a few phrases. It was no surprise to find that Monserrat Caballe and that supreme vocal actress Renata Scotto figure among her teachers. Not that there is any suggestion of Hernandez manufacturing her sound in imitation of these great opera singers; the timbre is still individual and her theatricality convincing and moving.

Her scenes with Nicole Car’s Adalgisa were a moving display of female solidarity, and her inner turmoil as she contemplated murdering the children that she had born to her faithless Roman lover, Pollione, were most compelling. Literally kneeling in her beautiful red evening gown before Daniel Sumegi, (singing the role of her father, the Druid leader Oroveso), Hernandez could easily have been pushing the boundaries of credibility. In fact, her whole performance had been so heightened that this was an entirely natural action. Her final determination to sacrifice herself for love and honour was spine tingling. Although a more floating tone from Hernandez would have been welcome at times, particularly in the famous Casta Diva, her soft high notes were spectacular. Totally secure and with the most gorgeous sheen to her voice, she spun the line with true bel canto expression.

Nicole Car’s acting was also a major contributor to this performance as a full operatic experience. Although she does not have the vocal weight of either Hernandez or other singers usually heard in this role, her voice has real substance. When she began singing after Pollione, (an ardent Rosario La Spina), had praised her cheerful innocence, you could see his point. Every note Car sang was imbued with sincerity and charm. Her voice was effortless and even throughout an extensive range. If a mezzo undertakes the role of Adalgisa, she has to have secure top notes and considerable flexibility, both of which Car has in spades.

The famous duet, Mira, o Norma might have benefitted from a more even matching of vocal weight, but it was still a delight. During the quieter ensembles in the second act there was a truly beautiful matching of the two soprano voices and these provided some of the most gratifying moments for the evening. It was difficult to believe that the prolonged interval caused by the indisposition of a singer, who had requested not to be named, could have been Nicole Car, but her pallor suggested that this was the case and that she had made a heroic effort to perform so splendidly.

Another notable performance came from Daniel Sumegi; always a vocally and physically imposing presence, he was well suited to the role of Oroveso. With attractive, vibrant voices and ease of execution, Carlos E. Barcenas and Lee Abrahmsen made the most of their smaller roles as confidants to Pollione and Norma respectively. Under the guidance of Richard Mills, the Chorus was uniformly excellent and Orchestra Victoria gave a spirited performance of Bellini’s melodious score.

Given the success of this venture, it is to be hoped that a concert performance of a complete opera will become a regular part of Victorian Opera’s programming in the future.

__________________________________________________________________

Heather Leviston attended Victorian Opera’s sell-out single performance of: Norma at the Melbourne Recital Centre on August 23, 2014.

The picture is of  Spanish soprano Saioa Hernandez.

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Heather Leviston

Heather Leviston has devoted much of her life to listening to classical music and attending concerts. An addiction to vocal and string music has led her to undertake extensive training in singing and perform as a member of the Victoria State Opera chorus and as a soloist with various musical organisations.

As a founding academic teacher of the Victorian College of the Arts Secondary School, she has had the privilege of witnessing the progress of many talented students, keenly following their careers by attending their performances both in Australia and overseas.

As a reviewer, initially for artsHub, and also for Sounds like Sydney, she has been keen to bring attention to the fine music-making that is on offer in Australia, especially in the form of live performance. Heather is a valued member of Classical Melbourne’s editorial team, with her reviews of opera and vocal music valued by performers and audiences alike.

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Events Calendar

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  • May 2025

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Opera Australia: The Verdi Gala Concert

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Lyster Opera: The Abduction from the Seraglio – Mozart

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Schubertiade – Heidelberg Choral Society

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Schubertiade – Heidelberg Choral Society

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Heidelberg Choral Society: Schubertiade

May 4 @ 2:30 pm - 4:30 pm

Heidelberg Choral Society: Schubertiade

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May 4 @ 3:00 pm - 4:30 pm

Choristry presents: When I Was a Child

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fortyfivedownstairs Chamber Music Festival: The Crossing Machine with Jordan Zdimirovic

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fortyfivedownstairs Chamber Music Festival: Violeta Parra’s Chile

May 8 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: Violeta Parra’s Chile

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Victorian Opera: The Lyrebird’s Voice

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Victorian Opera: The Lyrebird’s Voice

Discover the quirky charm of Victorian Opera’s fun-filled family production, The Lyrebird’s Voice. In this enchanting opera set in the Australian…

$42
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fortyfivedownstairs Chamber Music Festival: Holst – The Planets

May 9 @ 7:30 pm - 8:30 pm

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Spellbinding and immersive Explore the magical ingredients of the Symphony Orchestra through the iconic music of John Williams, Saint-Saëns and Stravinsky.…

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2:00 pm - 2:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 10 @ 2:00 pm - 2:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

Discover the quirky charm of Victorian Opera’s fun-filled family production, The Lyrebird’s Voice. In this enchanting opera set in the Australian…

$42
4:00 pm - 5:15 pm

Jane Austen’s Music – Pemberley Revisited

May 10 @ 4:00 pm - 5:15 pm

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fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven’s World

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ANAM at the Convent: Genesis Baroque with Sara Macliver

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May 11 @ 5:00 pm - 7:00 pm

Astra Choir: In us are all passions and all vices

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$63 – $81
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Omega Ensemble: Distant World

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Genesis Baroque with Sara Macliver

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Genesis Baroque with Sara Macliver

May 16 @ 8:00 pm - 9:00 pm Event Series

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April 30
April 30 @ 7:30 pm - 9:30 pm Event Series

Opera Australia: The Verdi Gala Concert

May 1
May 1 @ 7:30 pm - 9:50 pm

Opera Scholars Australia: Lieder to Lehar

May 1 @ 7:30 pm - 9:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 2
May 2 @ 7:30 pm - 9:30 pm

ASQ & Melbourne Conservatorium Students Side-by-side concert

May 3
May 3 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 3 @ 2:00 pm - 4:00 pm Event Series

Opera Australia: The Verdi Gala Concert

May 3 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 3 @ 7:30 pm - 9:00 pm

Melbourne Symphony Orchestra – The Soul of the Cello: Timo-Veikko Valve

May 4
May 4 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 4 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 4 @ 2:30 pm - 5:00 pm

Schubertiade – Heidelberg Choral Society

May 4 @ 2:30 pm - 4:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 4 @ 2:30 pm - 4:30 pm

Heidelberg Choral Society: Schubertiade

May 4 @ 3:00 pm - 4:30 pm

Choristry presents: When I Was a Child

May 5
May 5 @ 7:30 pm - 9:15 pm

Erwan Keravec – 8 Pipers for Philip Glass + Nat Bartsch

May 6
May 6 @ 7:00 pm - 9:10 pm

Musica Viva Australia: Hollywood Songbook

May 6 @ 7:30 pm - 9:00 pm

Melbourne Conservatorium of Music: Draevon – Between Light and Darkness

May 7
May 7 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: The Crossing Machine with Jordan Zdimirovic

May 8
May 8 @ 6:30 pm - 7:25 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 8 @ 7:30 pm - 8:30 pm

Melbourne Symphony Orchestra: Discover Sibelius – Side by Side with Melbourne Youth Orchestra

May 8 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: Violeta Parra’s Chile

May 9
May 9 @ 1:00 pm - 1:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 9 @ 7:30 pm - 8:30 pm

fortyfivedownstairs Chamber Music Festival: Holst – The Planets

May 10
May 10 @ 10:30 am - 11:20 am Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 12:30 pm - 1:20 pm Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 2:00 pm - 2:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 10 @ 4:00 pm - 5:15 pm

Jane Austen’s Music – Pemberley Revisited

May 10 @ 4:00 pm - 5:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven’s World

May 10 @ 7:00 pm - 9:00 pm

ANAM at the Convent: Genesis Baroque with Sara Macliver

May 10 @ 7:30 pm - 9:00 pm

Choristry presents: When I Was a Child

May 10 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

May 11
May 11 @ 5:00 pm - 7:00 pm

Astra Choir: In us are all passions and all vices

May 12
May 12 @ 7:30 pm - 9:00 pm

Daniel Lozakovich

May 13
May 13 @ 2:00 pm - 4:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 9:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

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Omega Ensemble: Distant World

May 14
May 14 @ 3:00 pm - 4:00 pm

ANAM at the Convent: Sara Macliver with ANAM Pianos

May 16
May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

May 17
May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 19
May 19 @ 7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 14
May 14 @ 3:00 pm - 4:00 pm

ANAM at the Convent: Sara Macliver with ANAM Pianos

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May 16
May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

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Australian Chamber Orchestra: Theremin & Beyond

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Australian Chamber Orchestra: Theremin & Beyond

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