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MERLYN MYER MUSIC COMMISSION 2017: Andrea Keller

by Heather Leviston 4th December, 2017
by Heather Leviston 4th December, 2017
195

Andrea Keller might have been the featured composer but virtuoso percussionist and artist director of Ensemble Offspring, Claire Edwardes, ensured that this concert also continued their year-long celebration of outstanding Australian female composers by showcasing four of them, in the ensemble’s concert at the Melbourne Recital Centre, Salon on November 28.

Vibe Rant by the youngest composer, Holly Harrison, provided a dramatic opening. Spiky, jazz-flavoured episodes, dominated by Lamorna Nightingale’s assertive piccolo over disjointed utterances from Jason Noble’s clarinet and Claire Edwardes’ percussion, alternated with gentler, more lyrical passages for flute and percussion. A climactic ending with the clarinet at its upper extremities and the flute an insistent voice against the vibraphone was at once arresting and disturbing.

Anybody who has heard Claire Edwardes talk about music (her recent interview with Andrew Ford on Radio National’s The Music Show is well worth a visit) knows her to be an enthusiastic and highly articulate advocate for contemporary composers. When introducing the second item, Bree Van Reyk’s Light for the First Time, an intimate personal connection to the music became apparent. A member of Ensemble Offspring, Van Reyk was very pregnant when she composed this piece and imagined what it would be like for a baby to be entering the world for the first time. The mysterious world of sound began with almost inaudible breathing from the clarinet as the lights dimmed and Veronique Serret’s violin began its gentle pulsing – a monotone heartbeat. The soundscape became increasingly complex as piano and percussion joined with a succession of emerging and blending voices. As violinist and clarinetist slowly progressed down the side aisles we became enveloped by sound and increasing light. It was an inviting world of birdsong and fascinating aural exploration that greeted this baby – and us. Although some improvisation was apparent, Edwardes marked the tapering sections with sticks held high above the vibraphone.

Mary Finsterer has been a name familiar to Melbourne audiences for some time. Her 2012 composition, Silva, was written for Ensemble Offspring and appears on their just-launched CD. A percussion concerto, it is a work they have performed often and it was easy to understand why. Finsterer took inspiration from the word silva to give different impressions of the forest. Using an ABA structure, the work opens with what Finsterer describes as “an atmospheric ambience, giving a feeling of largeness through space and time. It looks out, as if to experience the forest through layers of branches and leaves, these represented by the whimsical, faster moving soft gestures of the woodwinds and string harmonics.” Shimmering percussion, a soft progression of piano chords and varied contributions from strings and flute made for an evocative opening – at once simple and complex. Subtle gongs later created a quasi-Oriental feel. After a contrasting, energetic middle section with bursts of drumming interspersed with vibraphone passages, there was a return to hypnotic tranquility. You don’t have to know the program to be captivated by this work, especially as performed by its intended exponents.

One of the great benefits of commissioning a work can be the process of collaboration between the composer and the artists who will be performing it. Such is the case with Andrea Keller’s Love in Solitude. Described as “a meditation on the eloquent thoughts presented in Letters to a Young Poet by Rainer Maria Rilke”, it features a pre-recorded soundscape, with snatches of Rilke’s text spoken in English and German by Miroslav Bukovsky, in addition to a quartet comprising flute, clarinet, piano and percussion. The term quartet is misleading since Ensemble Offspring’s instruments provide a rich aural palette with a range of flutes and clarinets in addition to almost unlimited percussion possibilities, including Zubin Kanga’s piano. The work begins with the taped soundscape, the piano and other instruments gradually emerging. From a quiet atmosphere of undulating breathing the dynamics ebb and flow as instrumental textures shift. Rilke’s words are interspersed, sometimes clear and sometimes muffled, providing an episodic structure to the work.

Edwardes’ wish to give contemporary music a life beyond a première performance echoed in my mind. Although the Merlyn Myer Music Commission ensures a second performance in Sydney, there is no doubting the importance of recording a work such as Andrea Keller’s. Perhaps even more so since it is a departure from her usual approach as a creator of jazz and improvised music. It is an intriguing work but I found myself eager to hear it again to fully appreciate its more elusive intricacies. Hopefully, there will be many more opportunities.

In all probability nobody would have heard this work if it were not for the Merlyn Myer Fund. As MRC’s Director of Artistic Planning, Marshall McGuire pointed out at the end of the concert, what invaluable philanthropic organisations do is to provide time – time to create, time to collaborate, time to refine. In addition to the vital financial assistance, the sense of occasion was heightened by the presence of members of the Myer family in the audience. It is personal involvement such as this that nourishes Melbourne’s (and Australia’s) cultural life.

 

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Heather Leviston

Heather Leviston has devoted much of her life to listening to classical music and attending concerts. An addiction to vocal and string music has led her to undertake extensive training in singing and perform as a member of the Victoria State Opera chorus and as a soloist with various musical organisations.

As a founding academic teacher of the Victorian College of the Arts Secondary School, she has had the privilege of witnessing the progress of many talented students, keenly following their careers by attending their performances both in Australia and overseas.

As a reviewer, initially for artsHub, and also for Sounds like Sydney, she has been keen to bring attention to the fine music-making that is on offer in Australia, especially in the form of live performance. Heather is a valued member of Classical Melbourne’s editorial team, with her reviews of opera and vocal music valued by performers and audiences alike.

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Spellbinding and immersive Explore the magical ingredients of the Symphony Orchestra through the iconic music of John Williams, Saint-Saëns and Stravinsky.…

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Victorian Opera: The Lyrebird’s Voice

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Jane Austen’s Music – Pemberley Revisited

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May 11 @ 5:00 pm - 7:00 pm

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Genesis Baroque with Sara Macliver

May 16 @ 8:00 pm - 9:00 pm Event Series

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$45 – $55

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7:30 pm Event Series

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April 30
April 30 @ 7:30 pm - 9:30 pm Event Series

Opera Australia: The Verdi Gala Concert

May 1
May 1 @ 7:30 pm - 9:50 pm

Opera Scholars Australia: Lieder to Lehar

May 1 @ 7:30 pm - 9:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 2
May 2 @ 7:30 pm - 9:30 pm

ASQ & Melbourne Conservatorium Students Side-by-side concert

May 3
May 3 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 3 @ 2:00 pm - 4:00 pm Event Series

Opera Australia: The Verdi Gala Concert

May 3 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 3 @ 7:30 pm - 9:00 pm

Melbourne Symphony Orchestra – The Soul of the Cello: Timo-Veikko Valve

May 4
May 4 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 4 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 4 @ 2:30 pm - 5:00 pm

Schubertiade – Heidelberg Choral Society

May 4 @ 2:30 pm - 4:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 4 @ 2:30 pm - 4:30 pm

Heidelberg Choral Society: Schubertiade

May 4 @ 3:00 pm - 4:30 pm

Choristry presents: When I Was a Child

May 5
May 5 @ 7:30 pm - 9:15 pm

Erwan Keravec – 8 Pipers for Philip Glass + Nat Bartsch

May 6
May 6 @ 7:00 pm - 9:10 pm

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May 6 @ 7:30 pm - 9:00 pm

Melbourne Conservatorium of Music: Draevon – Between Light and Darkness

May 7
May 7 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: The Crossing Machine with Jordan Zdimirovic

May 8
May 8 @ 6:30 pm - 7:25 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 8 @ 7:30 pm - 8:30 pm

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May 8 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: Violeta Parra’s Chile

May 9
May 9 @ 1:00 pm - 1:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 9 @ 7:30 pm - 8:30 pm

fortyfivedownstairs Chamber Music Festival: Holst – The Planets

May 10
May 10 @ 10:30 am - 11:20 am Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 12:30 pm - 1:20 pm Event Series

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May 10 @ 2:00 pm - 2:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 10 @ 4:00 pm - 5:15 pm

Jane Austen’s Music – Pemberley Revisited

May 10 @ 4:00 pm - 5:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven’s World

May 10 @ 7:00 pm - 9:00 pm

ANAM at the Convent: Genesis Baroque with Sara Macliver

May 10 @ 7:30 pm - 9:00 pm

Choristry presents: When I Was a Child

May 10 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

May 11
May 11 @ 5:00 pm - 7:00 pm

Astra Choir: In us are all passions and all vices

May 12
May 12 @ 7:30 pm - 9:00 pm

Daniel Lozakovich

May 13
May 13 @ 2:00 pm - 4:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 9:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 8:30 pm

Omega Ensemble: Distant World

May 14
May 14 @ 3:00 pm - 4:00 pm

ANAM at the Convent: Sara Macliver with ANAM Pianos

May 16
May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

May 17
May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 19
May 19 @ 7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 13
May 13 @ 2:00 pm - 4:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 9:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 8:30 pm

Omega Ensemble: Distant World

May 14
May 14 @ 3:00 pm - 4:00 pm

ANAM at the Convent: Sara Macliver with ANAM Pianos

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May 16
May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

May 17
May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

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May 19
May 19 @ 7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

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