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Melbourne Digital Concert Hall: Timothy Young in Recital

by Julie McErlain 14th December, 2020
by Julie McErlain 14th December, 2020
277

As the achievements of the 2020 Melbourne Digital Concert Hall program continue to amaze us, with 240 concerts and recitals in just 9 months bringing in close to one million dollars for musicians, we can applaud the MDCH directors’ plans to continue in 2021 with 200 concerts already planned. 5 Stream has to be also highly commended for their dedicated production and technical skills, as they launched a new world of live streaming for so many performers and audiences.

The illustrious and internationally acclaimed pianist, Timothy Young, shared his exceptional artistry with listeners in this magnificent recital, first introducing his repertoire with a warm and authoritative summary of the essential elements of the works, and his personal approach to connecting shorter pieces contextually. Highly interesting and engaging were the opening pieces by American innovator Henry Cowell (1897 – 1965) whose Aeolian Harp demonstrated his interest in exploring a new way of playing inside the strings of the instrument, with no hammers being used, as the performer swept and plucked gossamer like chords, reminiscent of the sounds of an autoharp and sweet Celtic folk music. Young gave us a sensitive and controlled rubato, delicately contrasting fragile dynamics in this experimental miniature.

Timelessly, a slow sparse final rising arpeggio provided a smooth segue into the opening extreme bass octaves of Cowell’s The Tides of Manaunaum from Three Irish Legends. Manaunaum was the god of motion, who, long before creation, sent forth tremendous tides of materials and particles to and fro through the universe. This Largo with Rhythm employed broad tone clusters created by use of the pianist’s whole left forearm and elbows to create terrifying darkness against right hand upper register chords adding fragments of possibilities. Sombre, dramatic and ponderous, the pounding left hand connected beautifully from this work to the lower imitative drumming drones of the first of Rameau’s 5 Selections from Pieces de Clavecin, Tambourin.

On today’s concert grand pianos, pianists are welcoming the chance to experiment and refresh Rameau’s keyboard pieces with varied colour and vision. Eighteenth century French composers loved their audiences having to visualise the images suggested in the titles of the music, and Young gave us a unique and classy interpretation of this set of pieces. Sharp vibrant rhythms added strength and edge to his metallic and bright tones for this well known colourful dance. Agitation in left hand octave leaps, dotted rhythms and chromatic flutters in Rappel des Oiseaux portrayed the spirited and fresh excitement of the incessant movement and conversations of the little birds. Les Tendres Plaintes (The Tender Cry), the first piece from Rameau’s Suite in D was spacious, spiritual, and simply heavenly, as Young gave us a fresh artistic interpretation with subtle but detailed ornamentation which never detracted from the lyrical melody line. Romantic, expressive, modest yet touching, Young’s elegance and delicate phrasing was a joy to hear. The Kawai grand piano allowed more strength and power than Rameau would have known with the clavecin, effectively allowing pianists to explore greater resonance and dynamics in the score of Les Tourbillons, particularly in the alternating episodes where gentle breezes blowing in the windmills contrasted with sections of storm and thunder.

Les Cyclopes musically describes the mythical one-eyed creatures who forge their weapons with driving hammer strokes represented by insistent single notes and melodic fragments between the alternating hands of the pianist, and repeated blows clearly seen and heard with hands crossing over each other in rapid staccato pulses.

Beautifully programmed, exciting, colourful and detailed in execution, Cowell and Rameau were immensely satisfying works which prefaced the big one – Rachmaninov’s great Sonata No 2 Op.36. Although it is structured in three movements, the composer has used bridging passages and similar thematic material in all movements to unify the music into one colossal work. Young fully demonstrated his impeccable technique with flow and admirable ease. Everything was present – the power of the piano, the passion, the drama, the questioning, the search for a resting place, the shimmering cadenzas and exuberant descending chromatic runs. Multi-layers of melodic and dynamic contrasts, particularly the attention given to inner melodies, was authoritative and virtuosic. At times this music is emotionally driven and ferocious with cascading immense chords requiring exceptional technical skill and mature understanding. In this recital, Young took us on an exciting and impressive journey all the way to Rachmaninov’s explosive virtuosic final bars.

Let’s hope for more of Timothy Young’s solo journeys soon.

Photo courtesy MDCH

________________________________________

Julie McErlain reviewed “Timothy Young in Recital” streamed live from the Athenaeum Theatre, Melbourne, by Melbourne Digital Concert Hall on December 11, 2020.

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Julie McErlain

Julie McErlain has a passionate love of and involvement with many kinds of music. Classically trained, she completed a bachelor of Music at the University of Melbourne with Honours in Piano and Composition, also studying oboe, percussion and guitar, and completing a sub-major in English. She supported herself as a student playing at Ballet Victoria and Australian Ballet schools, in musical theatre groups and in the wider entertainment industry as a solo pianist, and in a wide variety of classical, popular, folk and jazz ensembles. She has an active involvement in performing regularly in classical music concerts, jazz and contemporary music, also playing the saxophone and creating the first Women & Jazz festival and workshop series in Melbourne in 1981. Always a music teacher, conductor, concert and festival goer, Julie was Music Concert Reviewer for the Warrnambool STANDARD for three years, covering all styles of major music performances, promoting local music and reviewing major Australian artists and companies. She loves having the opportunity to hear new music, be inspired and challenged to use her creative writing skills, and contribute to promoting unique musical performances.

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Events Calendar

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$45 – $55
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$45 – $55

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fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

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1 event, 19

7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 19 @ 7:30 pm Event Series

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April 30
April 30 @ 7:30 pm - 9:30 pm Event Series

Opera Australia: The Verdi Gala Concert

May 1
May 1 @ 7:30 pm - 9:50 pm

Opera Scholars Australia: Lieder to Lehar

May 1 @ 7:30 pm - 9:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 2
May 2 @ 7:30 pm - 9:30 pm

ASQ & Melbourne Conservatorium Students Side-by-side concert

May 3
May 3 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 3 @ 2:00 pm - 4:00 pm Event Series

Opera Australia: The Verdi Gala Concert

May 3 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 3 @ 7:30 pm - 9:00 pm

Melbourne Symphony Orchestra – The Soul of the Cello: Timo-Veikko Valve

May 4
May 4 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 4 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 4 @ 2:30 pm - 5:00 pm

Schubertiade – Heidelberg Choral Society

May 4 @ 2:30 pm - 4:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 4 @ 2:30 pm - 4:30 pm

Heidelberg Choral Society: Schubertiade

May 4 @ 3:00 pm - 4:30 pm

Choristry presents: When I Was a Child

May 5
May 5 @ 7:30 pm - 9:15 pm

Erwan Keravec – 8 Pipers for Philip Glass + Nat Bartsch

May 6
May 6 @ 7:00 pm - 9:10 pm

Musica Viva Australia: Hollywood Songbook

May 6 @ 7:30 pm - 9:00 pm

Melbourne Conservatorium of Music: Draevon – Between Light and Darkness

May 7
May 7 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: The Crossing Machine with Jordan Zdimirovic

May 8
May 8 @ 6:30 pm - 7:25 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 8 @ 7:30 pm - 8:30 pm

Melbourne Symphony Orchestra: Discover Sibelius – Side by Side with Melbourne Youth Orchestra

May 8 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: Violeta Parra’s Chile

May 9
May 9 @ 1:00 pm - 1:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 9 @ 7:30 pm - 8:30 pm

fortyfivedownstairs Chamber Music Festival: Holst – The Planets

May 10
May 10 @ 10:30 am - 11:20 am Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 12:30 pm - 1:20 pm Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 2:00 pm - 2:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 10 @ 4:00 pm - 5:15 pm

Jane Austen’s Music – Pemberley Revisited

May 10 @ 4:00 pm - 5:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven’s World

May 10 @ 7:00 pm - 9:00 pm

ANAM at the Convent: Genesis Baroque with Sara Macliver

May 10 @ 7:30 pm - 9:00 pm

Choristry presents: When I Was a Child

May 10 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

May 11
May 11 @ 5:00 pm - 7:00 pm

Astra Choir: In us are all passions and all vices

May 12
May 12 @ 7:30 pm - 9:00 pm

Daniel Lozakovich

May 13
May 13 @ 2:00 pm - 4:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 9:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 8:30 pm

Omega Ensemble: Distant World

May 13 @ 7:30 pm - 8:40 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Opera Closets

May 14
May 14 @ 3:00 pm - 4:00 pm

ANAM at the Convent: Sara Macliver with ANAM Pianos

May 14 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival 2025: Lyric Opera – Their Voices Will Rise

May 14 @ 7:30 pm - 10:30 pm Event Series

Les Misérables The Arena Spectacular

May 15
May 15 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven, Cherny and Liszt Piano Duets and Songs

May 15 @ 7:30 pm - 10:30 pm Event Series

Les Misérables The Arena Spectacular

May 15 @ 7:30 pm - 9:30 pm Event Series

Melbourne Symphony Orchestra: An Evening of Fairy Tales

May 16
May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 7:30 pm - 9:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: The Institute for Enquiring Minds Presents Michael Leslie – Bach, Chopin, Beethoven, Schumann

May 16 @ 7:30 pm - 10:30 pm Event Series

Les Misérables The Arena Spectacular

May 16 @ 8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

May 17
May 17 @ 4:00 pm - 5:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 17 @ 7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

May 17 @ 7:30 pm - 9:30 pm Event Series

Melbourne Symphony Orchestra: An Evening of Fairy Tales

May 18
May 18 @ 2:30 pm - 4:30 pm

Flinders Quartet Flinders Quartet at Montsalvat – Paavali

May 18 @ 5:00 pm - 6:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

May 17
May 17 @ 4:00 pm - 5:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 17 @ 7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

May 17 @ 7:30 pm - 9:30 pm Event Series

Melbourne Symphony Orchestra: An Evening of Fairy Tales

May 18
May 18 @ 2:30 pm - 4:30 pm

Flinders Quartet Flinders Quartet at Montsalvat – Paavali

May 18 @ 5:00 pm - 6:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

May 18 @ 5:00 pm - 7:00 pm

Corpus Medicorum & The Royal Melbourne Hospital Foundation: Concert #2 – Atmosphere

May 19
May 19 @ 7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

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