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Daniel Carter: At Home in Hamburg

by Deborah Humble 27th February, 2014
by Deborah Humble 27th February, 2014
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As Australian conductor Daniel Carter takes up his new position in Hamburg Deborah Humble catches up with him to discuss the life in the city and the path that led him there.

Sydney born Daniel Carter began learning the piano at age 4, started composing at 11, and went to his first opera at 14. That opera was the opening night of Stravinsky’s The Rake’s Progress at the Opera House, and after that he knew he not only wanted to be a conductor, but an opera conductor.

It seems Daniel may be on the way to realising that dream. He  talks enthusiastically about his new position at the State Opera of Hamburg. This season he began work as a repetiteur for one of Germany’s largest and most respected houses before he takes up the position of Assistant to the General Music Director. The General Music Director is Australian conductor Simone Young, who has held the position since 2004. Daniel and Simone met when the young conductor was hospitant for a concert production of Rienzi in Hamburg. He stayed in touch with her, loved her “amazing musical mind” and now finds himself calling Hamburg home.

“Yesterday I coached singers on Cosi fan Tutte, this morning I played piano for rehearsals of Fidelio and tonight I conducted the backstage music for a performance of Rigoletto. Where else in the world can a 24 year old conductor get experience like that?”

Like most young Australians who suddenly find themselves in Europe Daniel has had something of a baptism of fire. “In my first week I worked on Lohengrin with Simone and accompanied the new singers in an on stage concert. Then there was the rehearsal where the director was talking to one of the singers in Italian, the singer was talking to the conductor in English and the conductor was addressing the repetiteur in German. The volume of repertoire is huge. Performances are constant; almost every day there is an opera or a ballet on the main stage. I went straight into the deep end!”

Most people find the stress of a new job enough to cope with, but to have a new job on the other side of the world with the added challenge of embracing a new language and a new culture is a lot to come to grips with. Meeting new colleagues, making new friends, learning a new way of doing things, even enduring a first dark and cold European winter can be confronting. Daniel is not daunted, says he is loving all of it and is enjoying the hard work involved with being “the new guy” in the house.

His reception, he says, has been very welcoming. “Everyone has been told to speak to me only in German, so conversation has been slow, but warm!” Not so the winter weather, but Daniel says he has always been a lover of the cold so in that respect the move to Germany has been ideal. “There were recently some days of -12 which would have to be the first time in my life I remember thinking ‘Ok, this really IS cold.’ I went to the local outdoor swimming pool and there were icicles hanging off all the signs. At that temperature as soon as your head is out of the water your hair freezes solid, which is both bizarre and amazing. But it was glorious and dark and still. It is things like that which make me realise I actually live here now; that it’s not just a holiday.”

As for the city itself Daniel finds it beautiful but small. “It’s the second largest city in Germany,” he comments, “but it is less than half the size of Melbourne. It’s very strange.” Despite the comparatively small population there is a lot of cultural and historical interest. “It is obvious with places like the old St Nikolai Church but there are also simple things like the Stolpersteine in the sidewalk.” Stolpersteine are the small, square memorial plaques placed in the footpaths of German cities. Designed by Gunter Demnig and translated literally as “stumbling blocks” they commemorate individual Jews, both those who survived World War II and those who didn’t. “This sort of thing is very hard to conceive of when you live in Australia.”

Work wise Daniel is particularly looking forward to mastering the languages required for a career in conducting, a skill virtually impossible to gain in Australia due to it’s isolation. He also wants to build on his repertoire knowledge but says, “possibly more importantly I need to pick the musical minds around me. The standard of conductors here is very high, and I am hoping to ask as many questions as possible and learn everything I can. People like Simone are an amazing gold mine of conducting information and experience.”

He has noticed a definite variation in the way operas are rehearsed in a German repertoire house. ” The mentality is quite different. We put on Rigoletto in five days and it was just expected that everything would work because everyone here knows the repertoire so well. There is so much musical heritage in this part of the world. And the orchestras in Europe seem to really treasure the difference in the sounds they make, which is what can make performances of the same work in different places totally thrilling.”

He has noticed toothat the culture of attending performances seems to be very strong. “People have seen the repertoire operas many times but they all come back to see a new production team’s take on an old classic – although that does mean there are some wild productions out there!” Ticket prices are less expensive than in Australia and there is less reliance on private sponsorship which makes going to the theatre a generally more affordable experience. Attending musical performance is very much part of the European psyche.

Daniel is confident that his early experience in Australia, first with Richard Gill and Victorian Opera and later with Opera Australia, have helped him enormously, and that without this professional experience and guidance he would not have been ready for the next step in his career. “As well as learning a lot of the basic repertoire it was a great way to understand what the expectations are of an assistant conductor and a repetiteur and a good chance to watch the way other conductors engage with singers. Coming from an instrumental background it can be very easy to get stuck on things like ‘sharp’ or ‘flat’ or ‘early’ or ‘late’ and this is often unhelpful. Singers would often like to talk in terms of modifying a vowel or where to place a consonant – a completely different way of looking at the same bar of music.”

At times Daniel says he still finds himself a little bit star-struck. ” I am currently playing the piano for Stephen Gould in Lohengrin coachings. Stephen is a Bayreuth ‘Siegfried’. At times like that I have to pinch myself and get back to work. I would love to stay in Europe and develop a career here but only time will tell.“

 

 

 

 

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Deborah Humble

Mezzo-Soprano Deborah Humble is one of Australia’s best-known and most successful opera singers, and your guide to the 2016 Wagner Ring Cycle in Melbourne.

After gaining a Bachelor of Music from the University of Adelaide and a Masters Degree from the University of Melbourne Deborah was a member of the Victoria State Opera Young Artist Programme. Having been a Principal Artist for both Opera Australia and The State Opera of Hamburg she has embarked upon a freelance career which takes her all over the world.

Recognised internationally for her performances of Verdi and Wagner, Deborah’s recent engagements include Erda in Das Rheingold with the Hong Kong Philharmonic, Brangaene in Tristan and Isolde with the Mexico City Symphony, Amneris in Aida for Opera Australia, Alisa in Lucia di Lamermoor for the Theatro Mario del Monaco in Treviso, Erda in Siegfried for the Boston Symphony, Verdi’s Requiem at the Sage Concert Hall in the UK, Mahler’s Symphony No 8 at the Esplanade Theatre in Singapore, Elgar’s The Kingdom for the Melbourne Bach Choir and Ring Cycles in Hamburg, Halle, Bari, Ludwigshafen and Melbourne.

Future engagements include Mary in The Flying Dutchman with Opera Lille, Erda in Siegfried with the Hong Kong Philharmonic, recorded for Naxos, Venus in Tannhauser in Edinburgh and concert engagements in Auckland and Perth.

Her recordings include Clarissa in The Love for Three Oranges with Opera Australia for Chandos, a complete Der Ring des Nibelungen with the Hamburg State Opera released on the Oehms label, Offenbach’s La Belle Helene with the Theatre du Chatelet in Paris for Deutsche Gramophone and Mozart’s Il Sogno di Scipione for EMI.

Deborah was a recipient of Australia’s prestigious Dame Joan Sutherland Scholarship, a finalist in the 2008 International Wagner Competition in Seattle, and was recently included in the Who’s Who of Australian Women. This year Deborah returned to Australia to act as a mentor in The Dame Nellie Melba Trust Programme for young opera singers and to adjudicate The City of Sydney Eisteddfod Opera Aria Scholarship.

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Events Calendar

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  • May 2025

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Melbourne Chamber Orchestra: Fantasia

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Victorian Opera: The Lyrebird’s Voice

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Victorian Opera: The Lyrebird’s Voice

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Jane Austen’s Music – Pemberley Revisited

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fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven’s World

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fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

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fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

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Daniel Lozakovich

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Omega Ensemble: Distant World

May 13 @ 7:00 pm - 8:30 pm

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fortyfivedownstairs Chamber Music Festival 2025: Opera Closets

May 13 @ 7:30 pm - 8:40 pm Event Series

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ANAM at the Convent: Sara Macliver with ANAM Pianos

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fortyfivedownstairs Chamber Music Festival 2025: Lyric Opera – Their Voices Will Rise

May 14 @ 7:30 pm - 9:00 pm

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$32 – $42

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7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven, Cherny and Liszt Piano Duets and Songs

May 15 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven, Cherny and Liszt Piano Duets and Songs

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Genesis Baroque with Sara Macliver

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Genesis Baroque with Sara Macliver

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$45 – $55
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fortyfivedownstairs Chamber Music Festival 2025: The Institute for Enquiring Minds Presents Michael Leslie – Bach, Chopin, Beethoven, Schumann

May 16 @ 7:30 pm - 9:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: The Institute for Enquiring Minds Presents Michael Leslie – Bach, Chopin, Beethoven, Schumann

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$23 – $42
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Genesis Baroque with Sara Macliver

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Genesis Baroque with Sara Macliver

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$45 – $55

3 events, 17

4:00 pm - 5:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

May 17 @ 4:00 pm - 5:30 pm Event Series

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Australian Chamber Orchestra: Theremin & Beyond

May 17 @ 7:30 pm - 9:30 pm Event Series

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$30 – $141
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fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

May 17 @ 7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

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fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

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fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

Duo Eclettico – Justin Kenealy (saxophone) and Coady Green (piano) are joined by the one the Australia’s leading actors, Helen Morse,…

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Corpus Medicorum & The Royal Melbourne Hospital Foundation: Concert #2 – Atmosphere

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1 event, 19

7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 19 @ 7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

Explore new musical frontiers as you take a deep dive into the thrilling soundworld of the theremin, the world’s first electronic…

$30 – $141

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April 30
April 30 @ 7:30 pm - 9:30 pm Event Series

Opera Australia: The Verdi Gala Concert

May 1
May 1 @ 7:30 pm - 9:50 pm

Opera Scholars Australia: Lieder to Lehar

May 1 @ 7:30 pm - 9:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 2
May 2 @ 7:30 pm - 9:30 pm

ASQ & Melbourne Conservatorium Students Side-by-side concert

May 3
May 3 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 3 @ 2:00 pm - 4:00 pm Event Series

Opera Australia: The Verdi Gala Concert

May 3 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 3 @ 7:30 pm - 9:00 pm

Melbourne Symphony Orchestra – The Soul of the Cello: Timo-Veikko Valve

May 4
May 4 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 4 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 4 @ 2:30 pm - 5:00 pm

Schubertiade – Heidelberg Choral Society

May 4 @ 2:30 pm - 4:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 4 @ 2:30 pm - 4:30 pm

Heidelberg Choral Society: Schubertiade

May 4 @ 3:00 pm - 4:30 pm

Choristry presents: When I Was a Child

May 5
May 5 @ 7:30 pm - 9:15 pm

Erwan Keravec – 8 Pipers for Philip Glass + Nat Bartsch

May 6
May 6 @ 7:00 pm - 9:10 pm

Musica Viva Australia: Hollywood Songbook

May 6 @ 7:30 pm - 9:00 pm

Melbourne Conservatorium of Music: Draevon – Between Light and Darkness

May 7
May 7 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: The Crossing Machine with Jordan Zdimirovic

May 8
May 8 @ 6:30 pm - 7:25 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 8 @ 7:30 pm - 8:30 pm

Melbourne Symphony Orchestra: Discover Sibelius – Side by Side with Melbourne Youth Orchestra

May 8 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: Violeta Parra’s Chile

May 9
May 9 @ 1:00 pm - 1:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 9 @ 7:30 pm - 8:30 pm

fortyfivedownstairs Chamber Music Festival: Holst – The Planets

May 10
May 10 @ 10:30 am - 11:20 am Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 12:30 pm - 1:20 pm Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 2:00 pm - 2:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 10 @ 4:00 pm - 5:15 pm

Jane Austen’s Music – Pemberley Revisited

May 10 @ 4:00 pm - 5:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven’s World

May 10 @ 7:00 pm - 9:00 pm

ANAM at the Convent: Genesis Baroque with Sara Macliver

May 10 @ 7:30 pm - 9:00 pm

Choristry presents: When I Was a Child

May 10 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

May 11
May 11 @ 5:00 pm - 7:00 pm

Astra Choir: In us are all passions and all vices

May 12
May 12 @ 7:30 pm - 9:00 pm

Daniel Lozakovich

May 13
May 13 @ 2:00 pm - 4:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 9:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 8:30 pm

Omega Ensemble: Distant World

May 13 @ 7:30 pm - 8:40 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Opera Closets

May 14
May 14 @ 3:00 pm - 4:00 pm

ANAM at the Convent: Sara Macliver with ANAM Pianos

May 14 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival 2025: Lyric Opera – Their Voices Will Rise

May 15
May 15 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven, Cherny and Liszt Piano Duets and Songs

May 16
May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 7:30 pm - 9:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: The Institute for Enquiring Minds Presents Michael Leslie – Bach, Chopin, Beethoven, Schumann

May 16 @ 8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

May 17
May 17 @ 4:00 pm - 5:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 17 @ 7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

May 18
May 18 @ 2:30 pm - 4:30 pm

Flinders Quartet Flinders Quartet at Montsalvat – Paavali

May 15
May 15 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven, Cherny and Liszt Piano Duets and Songs

May 16
May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 7:30 pm - 9:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: The Institute for Enquiring Minds Presents Michael Leslie – Bach, Chopin, Beethoven, Schumann

May 16 @ 8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

May 17
May 17 @ 4:00 pm - 5:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 17 @ 7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

May 18
May 18 @ 2:30 pm - 4:30 pm

Flinders Quartet Flinders Quartet at Montsalvat – Paavali

May 18 @ 5:00 pm - 6:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

May 18 @ 5:00 pm - 7:00 pm

Corpus Medicorum & The Royal Melbourne Hospital Foundation: Concert #2 – Atmosphere

May 19
May 19 @ 7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

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Introducing Classic Melbourne

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Speech at launch by Conductor Andrew Wailes

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