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ANAM OPENING CONCERT: AWAKENING

by Heather Leviston 10th March, 2020
by Heather Leviston 10th March, 2020
340

If any member of the audience was feeling the slightest bit drowsy prior to the Australian National Academy of Music’s Opening Concert, an awakening was assured with the initial works: Giovanni Gabrieli’s Canzon per Septimi Toni and Michael Tippett’s Praeludium for brass, bells and percussion.

The antiphonal effect of Gabrieli’s stirring three-minute work would have been heighted by greater separation of the two brass choirs, but precision and solid golden tone appeared to benefit from the tight physical arrangement. This set up also resulted in less time being needed to prepare for the following item, when four percussionists and fourteen brass players, quickly assembled for the Tippett without any loss of momentum. Tippett’s presentation of contrasting brass sonorities – lyricism for the six horns (and two tubas), solemnity for the three trombones, and brilliance for the three trumpets – was an ideal way of showcasing the strengths of these young musicians. Even discounting the assistance of a couple of Faculty members (there was a particularly brilliant performance by Yoram Levy leading on trumpet), the standard of playing was impressive. After listening to this and subsequent items, we were astonished to learn that they had been together in rehearsal for less than a week.

Beethoven’s Egmont Overture arr. Taubmann for 2 pianos (8 hands) and the Bizet/Willberg version of Carmen Fantasie arr. for 2 pianos (8 hands) provided an opportunity for six ANAM pianists to display their skills in technique and coordination. Maggie Pang, Sine Winther, Hannah Pike and Jennifer Yu whipped up considerable excitement in a virtuoso rendition of the Carmen Fantasy, which was a major highlight of the evening.

An even more jaw-dropping level of coordination was displayed Akira Nishimura’s Kecak for six percussionists. As the stage was being set up for Kecak, Head of Percussion, Peter Neville, spoke about the work and its relationship to the Hindu epic Ramayana, seeing himself on shiny tubular bells as the Prince and John Arcaro as the Evil King on timpani. In some ways these two Faculty members seemed to have the easy roles; students (a label that hardly does justice to their technical and artistic maturity) James Knight, Nathan Gatenby, Alexander Meagher and Alison Fane had the task of eleven solid minutes of concentrated focus on the complex drum rhythms along with extended monkey chant passages on the syllable “tjak… tjak… tjak” and the occasional shift from drums to maracas, clap sticks and punctuations of perfectly synchronised hand claps. And they didn’t miss a beat. No wonder this energising finale to the first part of the concert it was so wildly popular with the audience.

After interval, ANAM’s Artistic Director, Nick Deutsch thanked the people who continue to support ANAM in so many ways and ensure its success as Australia’s foremost training institution for young aspiring professional musicians. He also thanked Janet Galpin, who, as representative of the Boon Wurrung people, gave a welcome to country address emphasising the importance of purpose – an entirely appropriate message given the nature of ANAM and the continuance of the site as a place of cultural expression.

The second half of the program comprised Stravinsky’s Pulcinella Suite 100th Anniversary and the Australian premiere of Helmut Lachenmann’s Marche fatale for orchestra. Playing as Principal cello, Howard Penny also directed the Pulcinella Suite seated on a rostrum. This was an ambitious undertaking considering the limited rehearsal time and the likelihood that some musicians would not have played the work before. But, apart from some uneasy rhythmic transitions in earlier movements, the choice of repertoire was more than justified in the way it afforded the opportunity for all sections of the orchestra to shine. As Concertmaster, Harry Ward played the many solo passages with confidence and flair. Noah Rudd also made a fine contribution on oboe. A robust, swirling Tarantella and characterful playing from trombone and lower strings in the Duetto convincingly captured the spirit of Stravinsky’s eight-movement neoclassical work – one originally thought to be based on music by Pergolesi. It is, as the program note claims, “a happy marriage of eighteenth-century style and twentieth century genius”.

A different kind of wit informs Lachenmann’s work. There is a dark irony present in the way he treats a march. In an attempt to explain his intentions he has written, “At some point I decided to take ‘ridiculousness’ as the revealing characteristic of our civilisation, as it sits on the edge of the abyss, seriously – perhaps even with bitter seriousness. Politicians like to say that ‘the situation is serious, but not hopeless.’ Not I – a composer should refrain from speaking – but my Marche says: ‘The situation is hopeless, but not serious.’” It is the kind of work that sits well with a young talented band of musicians in its defiance, rowdiness and in the way it lurches from one effect to another. Lachenmann is renowned for finding new ways to create sound and this work provides plenty of opportunities for musicians to venture into his idiosyncratic soundscape.

The concert began with a work written around 1597 and ended with one from 2018. In between we heard the inevitable slice of Beethoven and a great deal of variety. If this concert is any indication, we can look forward to some outstanding music making in 2020. The young musicians of ANAM are fortunate to have such excellent resident teachers and visiting musicians. As Nick Deutsch conducted the Lachenmann he must have been delighted that the first concert of his final year of tenure at ANAM had begun so splendidly. We listeners certainly were. ANAM continues to add lustre to Melbourne’s reputation as The Cultural Capital of Australia and deserves continuing generous support.

Image courtesy of ANAM publicity.

__________________________________________

Heather Leviston attended ANAM Opening Concert: Awakening presented at the South Melbourne Town Hall on March 7, 2020.

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Heather Leviston

Heather Leviston has devoted much of her life to listening to classical music and attending concerts. An addiction to vocal and string music has led her to undertake extensive training in singing and perform as a member of the Victoria State Opera chorus and as a soloist with various musical organisations.

As a founding academic teacher of the Victorian College of the Arts Secondary School, she has had the privilege of witnessing the progress of many talented students, keenly following their careers by attending their performances both in Australia and overseas.

As a reviewer, initially for artsHub, and also for Sounds like Sydney, she has been keen to bring attention to the fine music-making that is on offer in Australia, especially in the form of live performance. Heather is a valued member of Classical Melbourne’s editorial team, with her reviews of opera and vocal music valued by performers and audiences alike.

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Events Calendar

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Jane Austen’s Music – Pemberley Revisited

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fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven’s World

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fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

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fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

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May 11 @ 5:00 pm - 7:00 pm

Astra Choir: In us are all passions and all vices

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May 13 @ 2:00 pm - 4:00 pm Event Series

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fortyfivedownstairs Chamber Music Festival 2025: Opera Closets

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3 events, 14

3:00 pm - 4:00 pm

ANAM at the Convent: Sara Macliver with ANAM Pianos

May 14 @ 3:00 pm - 4:00 pm

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7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival 2025: Lyric Opera – Their Voices Will Rise

May 14 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival 2025: Lyric Opera – Their Voices Will Rise

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$32 – $42
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Les Misérables The Arena Spectacular

May 14 @ 7:30 pm - 10:30 pm Event Series

Les Misérables The Arena Spectacular

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fortyfivedownstairs Chamber Music Festival 2025: Beethoven, Cherny and Liszt Piano Duets and Songs

May 15 @ 7:30 pm - 9:00 pm Event Series

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Les Misérables The Arena Spectacular

May 15 @ 7:30 pm - 10:30 pm Event Series

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$69 – $99
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Melbourne Symphony Orchestra: An Evening of Fairy Tales

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$20 – $139

4 events, 16

6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

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$45 – $55
7:30 pm - 9:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: The Institute for Enquiring Minds Presents Michael Leslie – Bach, Chopin, Beethoven, Schumann

May 16 @ 7:30 pm - 9:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: The Institute for Enquiring Minds Presents Michael Leslie – Bach, Chopin, Beethoven, Schumann

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$23 – $42
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Les Misérables The Arena Spectacular

May 16 @ 7:30 pm - 10:30 pm Event Series

Les Misérables The Arena Spectacular

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$69 – $99
8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 8:00 pm - 9:00 pm Event Series

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$45 – $55

4 events, 17

4:00 pm - 5:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

May 17 @ 4:00 pm - 5:30 pm Event Series

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$32 – $42
7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

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$30 – $141
7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

May 17 @ 7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

The Institute for Enquiring Minds is an educational initiative helping high school students experiencing disadvantage improve their maths skills. For the…

$32 – $42
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Melbourne Symphony Orchestra: An Evening of Fairy Tales

May 17 @ 7:30 pm - 9:30 pm Event Series

Melbourne Symphony Orchestra: An Evening of Fairy Tales

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$20 – $139

3 events, 18

2:30 pm - 4:30 pm

Flinders Quartet Flinders Quartet at Montsalvat – Paavali

May 18 @ 2:30 pm - 4:30 pm

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$40 – $50
5:00 pm - 6:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

May 18 @ 5:00 pm - 6:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

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$32 – $42
5:00 pm - 7:00 pm

Corpus Medicorum & The Royal Melbourne Hospital Foundation: Concert #2 – Atmosphere

May 18 @ 5:00 pm - 7:00 pm

Corpus Medicorum & The Royal Melbourne Hospital Foundation: Concert #2 – Atmosphere

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$30 – $65

1 event, 19

7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 19 @ 7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

Explore new musical frontiers as you take a deep dive into the thrilling soundworld of the theremin, the world’s first electronic…

$30 – $141

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April 30
April 30 @ 7:30 pm - 9:30 pm Event Series

Opera Australia: The Verdi Gala Concert

May 1
May 1 @ 7:30 pm - 9:50 pm

Opera Scholars Australia: Lieder to Lehar

May 1 @ 7:30 pm - 9:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 2
May 2 @ 7:30 pm - 9:30 pm

ASQ & Melbourne Conservatorium Students Side-by-side concert

May 3
May 3 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 3 @ 2:00 pm - 4:00 pm Event Series

Opera Australia: The Verdi Gala Concert

May 3 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 3 @ 7:30 pm - 9:00 pm

Melbourne Symphony Orchestra – The Soul of the Cello: Timo-Veikko Valve

May 4
May 4 @ 2:00 pm - 5:00 pm Event Series

Abduction from the Seraglio

May 4 @ 2:00 pm - 5:00 pm Event Series

Lyster Opera: The Abduction from the Seraglio – Mozart

May 4 @ 2:30 pm - 5:00 pm

Schubertiade – Heidelberg Choral Society

May 4 @ 2:30 pm - 4:15 pm Event Series

Melbourne Chamber Orchestra: Fantasia

May 4 @ 2:30 pm - 4:30 pm

Heidelberg Choral Society: Schubertiade

May 4 @ 3:00 pm - 4:30 pm

Choristry presents: When I Was a Child

May 5
May 5 @ 7:30 pm - 9:15 pm

Erwan Keravec – 8 Pipers for Philip Glass + Nat Bartsch

May 6
May 6 @ 7:00 pm - 9:10 pm

Musica Viva Australia: Hollywood Songbook

May 6 @ 7:30 pm - 9:00 pm

Melbourne Conservatorium of Music: Draevon – Between Light and Darkness

May 7
May 7 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: The Crossing Machine with Jordan Zdimirovic

May 8
May 8 @ 6:30 pm - 7:25 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 8 @ 7:30 pm - 8:30 pm

Melbourne Symphony Orchestra: Discover Sibelius – Side by Side with Melbourne Youth Orchestra

May 8 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival: Violeta Parra’s Chile

May 9
May 9 @ 1:00 pm - 1:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 9 @ 7:30 pm - 8:30 pm

fortyfivedownstairs Chamber Music Festival: Holst – The Planets

May 10
May 10 @ 10:30 am - 11:20 am Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 12:30 pm - 1:20 pm Event Series

Melbourne Symphony Orchestra: Classic Kids: Wizardry School

May 10 @ 2:00 pm - 2:55 pm Event Series

Victorian Opera: The Lyrebird’s Voice

May 10 @ 4:00 pm - 5:15 pm

Jane Austen’s Music – Pemberley Revisited

May 10 @ 4:00 pm - 5:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven’s World

May 10 @ 7:00 pm - 9:00 pm

ANAM at the Convent: Genesis Baroque with Sara Macliver

May 10 @ 7:30 pm - 9:00 pm

Choristry presents: When I Was a Child

May 10 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival: Beethoven Marathon Part One – Beethoven Immortal Beloved

May 11
May 11 @ 5:00 pm - 7:00 pm

Astra Choir: In us are all passions and all vices

May 12
May 12 @ 7:30 pm - 9:00 pm

Daniel Lozakovich

May 13
May 13 @ 2:00 pm - 4:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 9:00 pm Event Series

Selby & Friends: This Mirror Has Three Faces

May 13 @ 7:00 pm - 8:30 pm

Omega Ensemble: Distant World

May 13 @ 7:30 pm - 8:40 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Opera Closets

May 14
May 14 @ 3:00 pm - 4:00 pm

ANAM at the Convent: Sara Macliver with ANAM Pianos

May 14 @ 7:30 pm - 9:00 pm

fortyfivedownstairs Chamber Music Festival 2025: Lyric Opera – Their Voices Will Rise

May 14 @ 7:30 pm - 10:30 pm Event Series

Les Misérables The Arena Spectacular

May 15
May 15 @ 7:30 pm - 9:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven, Cherny and Liszt Piano Duets and Songs

May 15 @ 7:30 pm - 10:30 pm Event Series

Les Misérables The Arena Spectacular

May 15 @ 7:30 pm - 9:30 pm Event Series

Melbourne Symphony Orchestra: An Evening of Fairy Tales

May 16
May 16 @ 6:00 pm - 7:00 pm Event Series

Genesis Baroque with Sara Macliver

May 16 @ 7:30 pm - 9:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: The Institute for Enquiring Minds Presents Michael Leslie – Bach, Chopin, Beethoven, Schumann

May 16 @ 7:30 pm - 10:30 pm Event Series

Les Misérables The Arena Spectacular

May 16 @ 8:00 pm - 9:00 pm Event Series

Genesis Baroque with Sara Macliver

May 17
May 17 @ 4:00 pm - 5:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 17 @ 7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

May 17 @ 7:30 pm - 9:30 pm Event Series

Melbourne Symphony Orchestra: An Evening of Fairy Tales

May 18
May 18 @ 2:30 pm - 4:30 pm

Flinders Quartet Flinders Quartet at Montsalvat – Paavali

May 18 @ 5:00 pm - 6:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

May 17
May 17 @ 4:00 pm - 5:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Beethoven Marathon Part Two – Beethoven’s 5th and 6th Symphonies for Piano Four Hands

May 17 @ 7:30 pm - 9:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

May 17 @ 7:30 pm - 8:30 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: Liszt’s two piano arrangement of Beethoven’s 9th Symphony

May 17 @ 7:30 pm - 9:30 pm Event Series

Melbourne Symphony Orchestra: An Evening of Fairy Tales

May 18
May 18 @ 2:30 pm - 4:30 pm

Flinders Quartet Flinders Quartet at Montsalvat – Paavali

May 18 @ 5:00 pm - 6:00 pm Event Series

fortyfivedownstairs Chamber Music Festival 2025: A Gwen Harwood Cycle

May 18 @ 5:00 pm - 7:00 pm

Corpus Medicorum & The Royal Melbourne Hospital Foundation: Concert #2 – Atmosphere

May 19
May 19 @ 7:30 pm Event Series

Australian Chamber Orchestra: Theremin & Beyond

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