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DTSTART;TZID=Australia/Melbourne:20260313T190000
DTEND;TZID=Australia/Melbourne:20260313T210000
DTSTAMP:20260511T070733
CREATED:20260303T080218Z
LAST-MODIFIED:20260303T080218Z
UID:10017730-1773428400-1773435600@classicmelbourne.com.au
SUMMARY:Australian Contemporary Opera Company (ACOCo): Mary Motorhead | Trade
DESCRIPTION:These are beautifully crafted stories told in English/Irish\, with amplified electronic/classic instruments (10-piece band). Our Australian performers\, Emily Edmonds\, Christopher HIllier and Callum McGing are\, without exaggeration\, breathtaking in these roles. \nFor Melbourne audiences\, it is a rare chance to experience the cutting edge of new\, international opera\, up close\, in a theatre where every breath and every confession is in your ear. \nElaine Kelly\, twice Grammy-nominated Irish conductor (thanks to support for travel costs from Culture Ireland and the Celtic Club)\, is at the helm musically\, teaming up with Greta Nash\, award-winning Australian director\, to bring these stories to life on the Beckett stage. \nMARY MOTORHEAD\nLocked up for stabbing her husband in the head with a 12 inch carving knife\, the compelling monodrama Mary Motorhead invites us to hear Mary’s “secret history” – disappointments and betrayals that shaped her life. In her ACOCO debut as Mary\, Australian mezzo soprano Emily Edmonds faces the ugly side of life\, and invites audiences to examine their own secret histories. \nTRADEA clandestine meeting in a seedy hotel room between a ‘rent boy’ and his closeted client. The older man has blood on his shirt. In a cheap hotel room\, they wrestle with their own inner demons and need for each other. Leading Australian baritone Christopher Hillier portrays a family man whose world is crumbling\, determined to take charge of his future. Led by Grammy-nominated Irish conductor Elaine Kelly in her Australian debut\, Elaine is known for her expressive interpretations and innovative approach to contemporary opera\, bringing a powerful emotional depth to the stage. She describes Mary Motorhead and Trade as “devastating and beautiful at the same time”. \nWords by Emma & Mark O’Halloran\nMusic direction by Elaine Kelly (Ireland)\nStage direction by Linda Thompson AM\nFeaturing Emily Edmonds\, Christopher Hillier and amplified chamber orchestra. \nCo-commissioned by Beth Morrison Projects\, Irish National Opera\, Trinity Church Wall Street and Nancy and Barry Sanders. \nAustralian premiere of a powerful\, Grammy-nominated Double Bill by Irish composer\, Emma O’Halloran. \n6 – 13 March 7pm \nDuration: 2 hours including 20min interval. \nBeckett Theatre\, Malthouse \nTICKETS:
URL:https://classicmelbourne.com.au/event/australian-contemporary-opera-company-acoco-mary-motorhead-trade/2026-03-13/
LOCATION:Malthouse Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20260312T190000
DTEND;TZID=Australia/Melbourne:20260312T210000
DTSTAMP:20260511T070733
CREATED:20260303T080218Z
LAST-MODIFIED:20260303T080218Z
UID:10017729-1773342000-1773349200@classicmelbourne.com.au
SUMMARY:Australian Contemporary Opera Company (ACOCo): Mary Motorhead | Trade
DESCRIPTION:These are beautifully crafted stories told in English/Irish\, with amplified electronic/classic instruments (10-piece band). Our Australian performers\, Emily Edmonds\, Christopher HIllier and Callum McGing are\, without exaggeration\, breathtaking in these roles. \nFor Melbourne audiences\, it is a rare chance to experience the cutting edge of new\, international opera\, up close\, in a theatre where every breath and every confession is in your ear. \nElaine Kelly\, twice Grammy-nominated Irish conductor (thanks to support for travel costs from Culture Ireland and the Celtic Club)\, is at the helm musically\, teaming up with Greta Nash\, award-winning Australian director\, to bring these stories to life on the Beckett stage. \nMARY MOTORHEAD\nLocked up for stabbing her husband in the head with a 12 inch carving knife\, the compelling monodrama Mary Motorhead invites us to hear Mary’s “secret history” – disappointments and betrayals that shaped her life. In her ACOCO debut as Mary\, Australian mezzo soprano Emily Edmonds faces the ugly side of life\, and invites audiences to examine their own secret histories. \nTRADEA clandestine meeting in a seedy hotel room between a ‘rent boy’ and his closeted client. The older man has blood on his shirt. In a cheap hotel room\, they wrestle with their own inner demons and need for each other. Leading Australian baritone Christopher Hillier portrays a family man whose world is crumbling\, determined to take charge of his future. Led by Grammy-nominated Irish conductor Elaine Kelly in her Australian debut\, Elaine is known for her expressive interpretations and innovative approach to contemporary opera\, bringing a powerful emotional depth to the stage. She describes Mary Motorhead and Trade as “devastating and beautiful at the same time”. \nWords by Emma & Mark O’Halloran\nMusic direction by Elaine Kelly (Ireland)\nStage direction by Linda Thompson AM\nFeaturing Emily Edmonds\, Christopher Hillier and amplified chamber orchestra. \nCo-commissioned by Beth Morrison Projects\, Irish National Opera\, Trinity Church Wall Street and Nancy and Barry Sanders. \nAustralian premiere of a powerful\, Grammy-nominated Double Bill by Irish composer\, Emma O’Halloran. \n6 – 13 March 7pm \nDuration: 2 hours including 20min interval. \nBeckett Theatre\, Malthouse \nTICKETS:
URL:https://classicmelbourne.com.au/event/australian-contemporary-opera-company-acoco-mary-motorhead-trade/2026-03-12/
LOCATION:Malthouse Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20260311T190000
DTEND;TZID=Australia/Melbourne:20260311T210000
DTSTAMP:20260511T070733
CREATED:20260303T080218Z
LAST-MODIFIED:20260303T080218Z
UID:10017728-1773255600-1773262800@classicmelbourne.com.au
SUMMARY:Australian Contemporary Opera Company (ACOCo): Mary Motorhead | Trade
DESCRIPTION:These are beautifully crafted stories told in English/Irish\, with amplified electronic/classic instruments (10-piece band). Our Australian performers\, Emily Edmonds\, Christopher HIllier and Callum McGing are\, without exaggeration\, breathtaking in these roles. \nFor Melbourne audiences\, it is a rare chance to experience the cutting edge of new\, international opera\, up close\, in a theatre where every breath and every confession is in your ear. \nElaine Kelly\, twice Grammy-nominated Irish conductor (thanks to support for travel costs from Culture Ireland and the Celtic Club)\, is at the helm musically\, teaming up with Greta Nash\, award-winning Australian director\, to bring these stories to life on the Beckett stage. \nMARY MOTORHEAD\nLocked up for stabbing her husband in the head with a 12 inch carving knife\, the compelling monodrama Mary Motorhead invites us to hear Mary’s “secret history” – disappointments and betrayals that shaped her life. In her ACOCO debut as Mary\, Australian mezzo soprano Emily Edmonds faces the ugly side of life\, and invites audiences to examine their own secret histories. \nTRADEA clandestine meeting in a seedy hotel room between a ‘rent boy’ and his closeted client. The older man has blood on his shirt. In a cheap hotel room\, they wrestle with their own inner demons and need for each other. Leading Australian baritone Christopher Hillier portrays a family man whose world is crumbling\, determined to take charge of his future. Led by Grammy-nominated Irish conductor Elaine Kelly in her Australian debut\, Elaine is known for her expressive interpretations and innovative approach to contemporary opera\, bringing a powerful emotional depth to the stage. She describes Mary Motorhead and Trade as “devastating and beautiful at the same time”. \nWords by Emma & Mark O’Halloran\nMusic direction by Elaine Kelly (Ireland)\nStage direction by Linda Thompson AM\nFeaturing Emily Edmonds\, Christopher Hillier and amplified chamber orchestra. \nCo-commissioned by Beth Morrison Projects\, Irish National Opera\, Trinity Church Wall Street and Nancy and Barry Sanders. \nAustralian premiere of a powerful\, Grammy-nominated Double Bill by Irish composer\, Emma O’Halloran. \n6 – 13 March 7pm \nDuration: 2 hours including 20min interval. \nBeckett Theatre\, Malthouse \nTICKETS:
URL:https://classicmelbourne.com.au/event/australian-contemporary-opera-company-acoco-mary-motorhead-trade/2026-03-11/
LOCATION:Malthouse Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20260310T190000
DTEND;TZID=Australia/Melbourne:20260310T210000
DTSTAMP:20260511T070733
CREATED:20260303T080218Z
LAST-MODIFIED:20260303T080218Z
UID:10017727-1773169200-1773176400@classicmelbourne.com.au
SUMMARY:Australian Contemporary Opera Company (ACOCo): Mary Motorhead | Trade
DESCRIPTION:These are beautifully crafted stories told in English/Irish\, with amplified electronic/classic instruments (10-piece band). Our Australian performers\, Emily Edmonds\, Christopher HIllier and Callum McGing are\, without exaggeration\, breathtaking in these roles. \nFor Melbourne audiences\, it is a rare chance to experience the cutting edge of new\, international opera\, up close\, in a theatre where every breath and every confession is in your ear. \nElaine Kelly\, twice Grammy-nominated Irish conductor (thanks to support for travel costs from Culture Ireland and the Celtic Club)\, is at the helm musically\, teaming up with Greta Nash\, award-winning Australian director\, to bring these stories to life on the Beckett stage. \nMARY MOTORHEAD\nLocked up for stabbing her husband in the head with a 12 inch carving knife\, the compelling monodrama Mary Motorhead invites us to hear Mary’s “secret history” – disappointments and betrayals that shaped her life. In her ACOCO debut as Mary\, Australian mezzo soprano Emily Edmonds faces the ugly side of life\, and invites audiences to examine their own secret histories. \nTRADEA clandestine meeting in a seedy hotel room between a ‘rent boy’ and his closeted client. The older man has blood on his shirt. In a cheap hotel room\, they wrestle with their own inner demons and need for each other. Leading Australian baritone Christopher Hillier portrays a family man whose world is crumbling\, determined to take charge of his future. Led by Grammy-nominated Irish conductor Elaine Kelly in her Australian debut\, Elaine is known for her expressive interpretations and innovative approach to contemporary opera\, bringing a powerful emotional depth to the stage. She describes Mary Motorhead and Trade as “devastating and beautiful at the same time”. \nWords by Emma & Mark O’Halloran\nMusic direction by Elaine Kelly (Ireland)\nStage direction by Linda Thompson AM\nFeaturing Emily Edmonds\, Christopher Hillier and amplified chamber orchestra. \nCo-commissioned by Beth Morrison Projects\, Irish National Opera\, Trinity Church Wall Street and Nancy and Barry Sanders. \nAustralian premiere of a powerful\, Grammy-nominated Double Bill by Irish composer\, Emma O’Halloran. \n6 – 13 March 7pm \nDuration: 2 hours including 20min interval. \nBeckett Theatre\, Malthouse \nTICKETS:
URL:https://classicmelbourne.com.au/event/australian-contemporary-opera-company-acoco-mary-motorhead-trade/2026-03-10/
LOCATION:Malthouse Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20260307T190000
DTEND;TZID=Australia/Melbourne:20260307T210000
DTSTAMP:20260511T070733
CREATED:20260303T080218Z
LAST-MODIFIED:20260303T080218Z
UID:10017726-1772910000-1772917200@classicmelbourne.com.au
SUMMARY:Australian Contemporary Opera Company (ACOCo): Mary Motorhead | Trade
DESCRIPTION:These are beautifully crafted stories told in English/Irish\, with amplified electronic/classic instruments (10-piece band). Our Australian performers\, Emily Edmonds\, Christopher HIllier and Callum McGing are\, without exaggeration\, breathtaking in these roles. \nFor Melbourne audiences\, it is a rare chance to experience the cutting edge of new\, international opera\, up close\, in a theatre where every breath and every confession is in your ear. \nElaine Kelly\, twice Grammy-nominated Irish conductor (thanks to support for travel costs from Culture Ireland and the Celtic Club)\, is at the helm musically\, teaming up with Greta Nash\, award-winning Australian director\, to bring these stories to life on the Beckett stage. \nMARY MOTORHEAD\nLocked up for stabbing her husband in the head with a 12 inch carving knife\, the compelling monodrama Mary Motorhead invites us to hear Mary’s “secret history” – disappointments and betrayals that shaped her life. In her ACOCO debut as Mary\, Australian mezzo soprano Emily Edmonds faces the ugly side of life\, and invites audiences to examine their own secret histories. \nTRADEA clandestine meeting in a seedy hotel room between a ‘rent boy’ and his closeted client. The older man has blood on his shirt. In a cheap hotel room\, they wrestle with their own inner demons and need for each other. Leading Australian baritone Christopher Hillier portrays a family man whose world is crumbling\, determined to take charge of his future. Led by Grammy-nominated Irish conductor Elaine Kelly in her Australian debut\, Elaine is known for her expressive interpretations and innovative approach to contemporary opera\, bringing a powerful emotional depth to the stage. She describes Mary Motorhead and Trade as “devastating and beautiful at the same time”. \nWords by Emma & Mark O’Halloran\nMusic direction by Elaine Kelly (Ireland)\nStage direction by Linda Thompson AM\nFeaturing Emily Edmonds\, Christopher Hillier and amplified chamber orchestra. \nCo-commissioned by Beth Morrison Projects\, Irish National Opera\, Trinity Church Wall Street and Nancy and Barry Sanders. \nAustralian premiere of a powerful\, Grammy-nominated Double Bill by Irish composer\, Emma O’Halloran. \n6 – 13 March 7pm \nDuration: 2 hours including 20min interval. \nBeckett Theatre\, Malthouse \nTICKETS:
URL:https://classicmelbourne.com.au/event/australian-contemporary-opera-company-acoco-mary-motorhead-trade/2026-03-07/
LOCATION:Malthouse Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20260306T190000
DTEND;TZID=Australia/Melbourne:20260306T210000
DTSTAMP:20260511T070733
CREATED:20260303T080218Z
LAST-MODIFIED:20260303T080218Z
UID:10017725-1772823600-1772830800@classicmelbourne.com.au
SUMMARY:Australian Contemporary Opera Company (ACOCo): Mary Motorhead | Trade
DESCRIPTION:These are beautifully crafted stories told in English/Irish\, with amplified electronic/classic instruments (10-piece band). Our Australian performers\, Emily Edmonds\, Christopher HIllier and Callum McGing are\, without exaggeration\, breathtaking in these roles. \nFor Melbourne audiences\, it is a rare chance to experience the cutting edge of new\, international opera\, up close\, in a theatre where every breath and every confession is in your ear. \nElaine Kelly\, twice Grammy-nominated Irish conductor (thanks to support for travel costs from Culture Ireland and the Celtic Club)\, is at the helm musically\, teaming up with Greta Nash\, award-winning Australian director\, to bring these stories to life on the Beckett stage. \nMARY MOTORHEAD\nLocked up for stabbing her husband in the head with a 12 inch carving knife\, the compelling monodrama Mary Motorhead invites us to hear Mary’s “secret history” – disappointments and betrayals that shaped her life. In her ACOCO debut as Mary\, Australian mezzo soprano Emily Edmonds faces the ugly side of life\, and invites audiences to examine their own secret histories. \nTRADEA clandestine meeting in a seedy hotel room between a ‘rent boy’ and his closeted client. The older man has blood on his shirt. In a cheap hotel room\, they wrestle with their own inner demons and need for each other. Leading Australian baritone Christopher Hillier portrays a family man whose world is crumbling\, determined to take charge of his future. Led by Grammy-nominated Irish conductor Elaine Kelly in her Australian debut\, Elaine is known for her expressive interpretations and innovative approach to contemporary opera\, bringing a powerful emotional depth to the stage. She describes Mary Motorhead and Trade as “devastating and beautiful at the same time”. \nWords by Emma & Mark O’Halloran\nMusic direction by Elaine Kelly (Ireland)\nStage direction by Linda Thompson AM\nFeaturing Emily Edmonds\, Christopher Hillier and amplified chamber orchestra. \nCo-commissioned by Beth Morrison Projects\, Irish National Opera\, Trinity Church Wall Street and Nancy and Barry Sanders. \nAustralian premiere of a powerful\, Grammy-nominated Double Bill by Irish composer\, Emma O’Halloran. \n6 – 13 March 7pm \nDuration: 2 hours including 20min interval. \nBeckett Theatre\, Malthouse \nTICKETS:
URL:https://classicmelbourne.com.au/event/australian-contemporary-opera-company-acoco-mary-motorhead-trade/2026-03-06/
LOCATION:Malthouse Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20161001T193000
DTEND;TZID=Australia/Melbourne:20161001T193000
DTSTAMP:20260511T070733
CREATED:20160228T110118Z
LAST-MODIFIED:20160228T110118Z
UID:10000432-1475350200-1475350200@classicmelbourne.com.au
SUMMARY:Four Saints in Three Acts
DESCRIPTION:After a choral introduction to thirty saints\, a series of tableaux featuring St Teresa II unfolds on the steps of a Cathedral. At a garden party near Barcelona there is a dance\, a game and a heavenly vision through a telescope. In a monastery garden\, saints discuss monastic life and see a vision. In heaven\, the saints remember their earthly life. \nComposed by Vigil Thomson and with zany and joyous poetry by celebrated writer Gertrude Stein\, Four Saints in Three Acts makes for charmingly irrational theatre. Inspired by jazz\, gospel and folk music this surreal work about 16th century Spanish saints directed by Nancy Black will feature youth opera performers\, a youth orchestra conducted by Fabian Russell (Nixon in China) and 3D scenic imagery (The Flying Dutchman) devised by Deakin Motion.Lab under the direction of Dr Kim Vincs. \nFriday 30 September – Saturday 1 October 2016\, 7:30pm\nMerlyn\, The Coopers Malthouse \nTickets\n$30 – $50 Concessions available \nBooking\nvictorianopera.com.au
URL:https://classicmelbourne.com.au/event/2016-10-01/
LOCATION:Malthouse Theatre
ATTACH;FMTTYPE=image/jpeg:https://classicmelbourne.com.au/wp-content/uploads/2016/02/Four-Saints-Listing-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20160930T193000
DTEND;TZID=Australia/Melbourne:20160930T193000
DTSTAMP:20260511T070733
CREATED:20160228T110220Z
LAST-MODIFIED:20160228T110220Z
UID:10000433-1475263800-1475263800@classicmelbourne.com.au
SUMMARY:Four Saints in Three Acts
DESCRIPTION:After a choral introduction to thirty saints\, a series of tableaux featuring St Teresa II unfolds on the steps of a Cathedral. At a garden party near Barcelona there is a dance\, a game and a heavenly vision through a telescope. In a monastery garden\, saints discuss monastic life and see a vision. In heaven\, the saints remember their earthly life. \nComposed by Vigil Thomson and with zany and joyous poetry by celebrated writer Gertrude Stein\, Four Saints in Three Acts makes for charmingly irrational theatre. Inspired by jazz\, gospel and folk music this surreal work about 16th century Spanish saints directed by Nancy Black will feature youth opera performers\, a youth orchestra conducted by Fabian Russell (Nixon in China) and 3D scenic imagery (The Flying Dutchman) devised by Deakin Motion.Lab under the direction of Dr Kim Vincs. \nFriday 30 September – Saturday 1 October 2016\, 7:30pm\nMerlyn\, The Coopers Malthouse \nTickets\n$30 – $50 Concessions available \nBooking\nvictorianopera.com.au
URL:https://classicmelbourne.com.au/event/four-saints-in-three-acts/
LOCATION:Malthouse Theatre
ATTACH;FMTTYPE=image/jpeg:https://classicmelbourne.com.au/wp-content/uploads/2016/02/Four-Saints-Listing-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20150620T193000
DTEND;TZID=Australia/Melbourne:20150620T213000
DTSTAMP:20260511T070733
CREATED:20150608T174644Z
LAST-MODIFIED:20150608T174644Z
UID:10000280-1434828600-1434835800@classicmelbourne.com.au
SUMMARY:Música Anonymous
DESCRIPTION:Jane Sheldon (soprano) and Zephyr Quartet perform in a celebration of traditional music from around the globe. \nShowcasing pure and brilliant sound and the communication of raw\, intimate human emotions expressed through the medium of voice and string quartet\, Musica Anonymous will explore the wonderful legacy of music bequeathed to us through the ages by anonymous composers as well as works by Zephyr Quartet\, Andrew Ford and Quincy Grant. \n 
URL:https://classicmelbourne.com.au/event/musica-anonymous/
LOCATION:Malthouse Theatre
ATTACH;FMTTYPE=image/jpeg:https://classicmelbourne.com.au/wp-content/uploads/2015/06/Zephyr_Group_Placeholder.jpg
END:VEVENT
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