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X-WR-CALDESC:Events for Classic Melbourne
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DTSTART;TZID=Australia/Melbourne:20250727T150000
DTEND;TZID=Australia/Melbourne:20250727T163000
DTSTAMP:20260428T100720
CREATED:20250724T073336Z
LAST-MODIFIED:20250724T073425Z
UID:10017009-1753628400-1753633800@classicmelbourne.com.au
SUMMARY:Kate Milligan\, Louise Devenish\, and Aaron Wyatt: Dark Oceanography
DESCRIPTION:In this world premiere of a new work by Kate Milligan\, Louise Devenish\, and Aaron Wyatt\, the live performances of three percussionists converge with the 63-channel Meyer Constellation in the David Li Sound Gallery\, creating a dynamic spatial instrument that bridges the gap between data\, understanding\, reflection\, and action. \n\n\nSundays in the Sound Gallery\n David Li Sound Gallery \n\n\nTicket Price: $39\nCategories: Music\nConcession Ticket Price: $30\nOther Ticket Price: $20\nEvent Date: Sun 27 July\, 2025\nEvent Time: 3pm\nVenue: David Li Sound Gallery\, 48 Exhibition Walk\, Clayton VIC\, Australia\nPresented By: MPAC – Monash University Performing Arts Centres\nBookings Via Phone: 03 9905 1111\nTicket Purchase URL: https://www.monash.edu/performing-arts-centres/event/kate-milligan-dark-oceanography/\nBookings Contact: boxoffice@monash.edu
URL:https://classicmelbourne.com.au/event/kate-milligan-louise-devenish-and-aaron-wyatt-dark-oceanography/
LOCATION:David Li Sound Gallery\, The Ian Potter Centre for Performing Arts 48 Exhibition Walk\, Monash University\, Melbourne\, Australia
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DTSTART;TZID=Australia/Melbourne:20230610T190000
DTEND;TZID=Australia/Melbourne:20230610T203000
DTSTAMP:20260428T100720
CREATED:20230606T073409Z
LAST-MODIFIED:20230606T073409Z
UID:10012818-1686423600-1686429000@classicmelbourne.com.au
SUMMARY:Australian Romantic and Classical Orchestra: Beethoven Septet & Louise Farrenc Nonet - New Perspectives
DESCRIPTION:In the first half of the 19th century\, music moved out of the palaces of Europe and into its living rooms\, with an explosion in publishing houses making the latest works accessible to everyone from princes to paupers. As with so many developments in music\, Beethoven was at the centre of things: his Septet was a huge critical and popular success\, and demand for the sheet music was a great boost to his publisher’s business. And it is easy to see why: it takes all the easy charm of a serenade or divertimento\, two hugely popular formats at the time – think Mozart’s Eine kleine Nachtmusik – and features some exquisite writing. \nThe piece proved an impossible act to follow; for the next fifty years\, only Schubert\, with his Octet\, wrote any large mixed chamber work of significance – that is until Louise Farrenc’s Nonet\, in 1849. Farrenc was a renowned pianist – a child prodigy\, an accomplished touring soloist\, and professor of piano at the Paris Conservatory – yet ironically her most famous piece does not feature her chosen instrument. Instead\, scored for a quartet of strings and a wind quintet together\, it is full of rich textures and intricate scoring\, demonstrating her irrefutable compositional skill. \nSaturday 10 June 2023\, 7:00pm \nDavid Li Sound Gallery  The Ian Potter Centre for Performing Arts\, Monash University \nTICKETS: $85 – $20 \nPurchase tickets to two or more Australian Romantic & Classical Orchestra performances in a single transaction to receive 10% off.
URL:https://classicmelbourne.com.au/event/australian-romantic-and-classical-orchestra-beethoven-septet-louise-farrenc-nonet-new-perspectives/
LOCATION:David Li Sound Gallery\, The Ian Potter Centre for Performing Arts 48 Exhibition Walk\, Monash University\, Melbourne\, Australia
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DTSTART;TZID=Australia/Melbourne:20230610T190000
DTEND;TZID=Australia/Melbourne:20230610T203000
DTSTAMP:20260428T100720
CREATED:20230526T013200Z
LAST-MODIFIED:20230526T013200Z
UID:10012772-1686423600-1686429000@classicmelbourne.com.au
SUMMARY:Beethoven Septet and Louise Farrenc Nonet
DESCRIPTION:It’s not easy to write for a combination of winds and strings\, to get the balance right and to give every instrument its due. Beethoven did it beautifully\, of course\, in his Septet of 1800\, an early\, charming work that took a popular musical form and made it entirely his own. Fifty years later Louise Farrenc\, an acclaimed pianist and the second-ever female piano professor at the Paris Conservatory\, took up Beethoven’s mantle with her rich\, exquisite Nonet\, a brilliant gem of a work that reinforced her reputation as one of Europe’s leading musical forces. \nLOUISE FARRENC Nonet in E flat major\, Op.38 (1849)\nBEETHOVEN Septet in E flat major\, Op.20 (1800) \nMembers of the Australian Romantic & Classical Orchestra\nGeorgia Browne | Flute\nTatjana Zimre | Oboe\nNicole van Bruggen | Clarinet\nAnneke Scott | Horn\nLisa Goldberg | Bassoon\nJenna Sherry | Violin\nStephen King | Viola\nDaniel Yeadon | Cello\nRob Nairn | Double Bass
URL:https://classicmelbourne.com.au/event/beethoven-septet-and-louise-farrenc-nonet/
LOCATION:David Li Sound Gallery\, The Ian Potter Centre for Performing Arts 48 Exhibition Walk\, Monash University\, Melbourne\, Australia
ORGANIZER;CN="Australian Romantic &amp%3B Classical Orchestra":MAILTO:marketing@arco.org.au
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DTSTART;TZID=Australia/Melbourne:20230307T190000
DTEND;TZID=Australia/Melbourne:20230307T203000
DTSTAMP:20260428T100720
CREATED:20230307T034004Z
LAST-MODIFIED:20230307T034004Z
UID:10008245-1678215600-1678221000@classicmelbourne.com.au
SUMMARY:Australian Classical and Romantic Orchestra: Mozart Clarinet Quintet\, Schubert & Hummel Viennese Vogue
DESCRIPTION:Witness a musical revolution! In the late 1700s\, Vienna was seized by enthusiasm for the clarinet. Mozart fell in love with the sound of this fashionable new instrument\, considering it the closest to the human voice\, especially in the hands of the brilliant virtuoso Anton Stadler. He was moved by Stadler and clarinet builder Theodor Lotz’ latest invention\, the basset clarinet\, to compose his Clarinet Quintet\, with its perfect proportions and melodic invention making it one of his best-loved pieces to this day. \nMozart’s repertoire for the clarinet put it on the map as a solo instrument\, and inspired his former student and protégé Johann Nepomuk Hummel\, a celebrated musician and composer in his own right. Hummel’s Clarinet Quartet is a beautifully balanced work of chamber music\, and highlights his importance as a bridge between the Classical and Romantic eras. \nWe will also hear from Hummel’s friend and colleague Franz Schubert\, and his unfinished String Trio D.471. Written at the start of one of the happiest and most creatively productive periods of his life\, you can hear Schubert’s brilliance unfolding before your eyes in this lyrical gem. \nMembers of Australian Romantic & Classical Orchestra \nNicole van Bruggen | Basset Clarinet & Clarinet\nPeter Clark | Violin*\nJulia Russoniello | Violin\nSimon Oswell | Viola\nDaniel Yeadon | Cello \nPROGRAM \nJohann Nepomuk Hummel: Clarinet Quartet in E flat major\, S.78 \nFranz Schubert: String Trio in B flat major\, D.471 \nWolfgang Amadeus Mozart: Clarinet Quintet in A major\, K.581 \nDAVID LI SOUND GALLERY\, MELBOURNE \nTuesday 7 March | 7.00pm – The Ian Potter Centre for Performing Arts\, 48 Exhibition Walk\, Monash University \nTICKETS: $29 -$95tr
URL:https://classicmelbourne.com.au/event/australian-classical-and-romantic-orchestra-mozart-clarinet-quintet-schubert-hummel-viennese-vogue/
LOCATION:David Li Sound Gallery\, The Ian Potter Centre for Performing Arts 48 Exhibition Walk\, Monash University\, Melbourne\, Australia
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