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DTSTART;TZID=Australia/Melbourne:20191119T110000
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SUMMARY:Dialogue: Final ANAM Recital
DESCRIPTION:Program\nRUTH CRAWFORD 9 Preludes for piano\nMICHAEL WILLIAMS Dialogue for oud\, duduk\, piano\, and electronics*\nJAKUB JANKOWSKI Aspects of Return for cello and piano ft. David Moran \n*world premiere \nWritten in the 1920s\, the Ultra-Modernist/Scriabin-Esque 9 Preludes by Ruth Crawford have been overlooked by history. Critics of the time said she can “sling dissonances as mean as any of them\,” referring to the male-dominated field of composition in early 20th Century America. Ruth Crawford is a trailblazer who deserves recognition and I’m excited to perform this work in what most likely is an Australian premiere. \nNew Zealand composer Michael F Williams experiments with combining sound-worlds in his new work Dialogue. This cross-cultural exploration features audio samples of the Duduk and Oud\, two Middle Eastern instruments that engage in a dialogue with the piano. Mike is a lecturer at the University of Waikato where we first met\, and this piece is the beginning of a larger project which explores the combination of piano and non-western instruments through new compositions. \nTo round out this programme I’ll be joined on stage with Cellist David Moran and I couldn’t think of a better way to leave ANAM! Each movement in Jakub Jankowski – Composer‘s work Aspects of Return illustrates a different metaphor of return and is supplemented with a specific quotation. \nI. Prologue: ‘…there is always the danger that the things we have neglected will return with added force.’ – Carl Jung\nII. Nocturne: ‘Ever-newer waters flow on those who step into the same rivers.’ – Heraclitus of Ephesus\nIII. Capriccio: ‘And the end of all our exploring will be to arrive where we started and know the place for the first time.’ – T.S. Eliot
URL:https://classicmelbourne.com.au/event/dialogue-final-anam-recital/
LOCATION:Australian National Academy of Music\, 210 Bank Street\, Melbourne\, Victoria\, 3205\, Australia
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