Piers Lane, returning home for a series of concerts, was an excellent choice to present the first piano recital in the Melbourne Recital Centre’s Elisabeth Murdoch Hall, and to inaugurate a new Steinway Concert Grand (the Brahms). The pianist had an engaging manner and thats even before his hands hit the keys. Lane said Beethovens Andante favori in F, Wo057 started as part of the Waldstein sonata, was dropped from that work, then gained new independent status thanks to frequent performances by the composer. All this made the audience predisposed to enjoy it. And we did. In allowing the melody to sing through the rich harmonic texture, Lane both revealed the quality of the work and a characteristic of his own playing that unified the opening subject to a lighter waltz-like passage and the demanding octaves as the work drew to its conclusion. Similarly, the Brahms Piano Sonata No.3 in F minor was introduced with a romantic tale, involving youthful good looks, a life-long romance with the wife of a fellow composer, and the description of the work as a young mans sonata. With the greatest respect, l felt that Lane appeared to channel Brahms both looking the part and, far more importantly, exploiting the pianos lovely resonance in a work of dramatic contrasts. But it was in the final work, Chopins 24 Preludes Op.28, that Lanes virtuosity and signature style of making the melody sing was heard to greatest advantage. Although most listeners would be familiar with the better-known preludes such as the Raindrop (No.15) and the dramatic No.20 Largo in C minor it is rare that the complete work is heard in performance. During the interval the piano was replaced with the Messaien Steinway, with Lanes performance simply a tour de force. We heard the surprising dynamic range of the preludes, moods that were in turn light-hearted, sombre, molto agitato and, in a finish that recalled Beethoven, allegro appassionato. Next Friday Lane will be back in the UK with a full schedule of concerts ahead of him. We were fortunate that he took the long trip home to grace the stage of the new Melbourne Recital Centre, albeit briefly. Piers Lane Elisabeth Murdoch Hall, Melbourne Recital Centre Thursday 8 March
MELBOURNE RECITAL CENTRE REVIEW: Piers Lane
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